one-note

English

Etymology

An allusion to the monotony of a single musical note played or sung repeatedly.

Pronunciation

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Adjective

one-note (not comparable)

  1. (idiomatic) Having only one opinion, outlook, tone, etc., especially as expressed repetitively; without variety or range.
    Synonyms: invariant, monotonal, monotonous
    • 1971 March 13, Michael Sragow, “Theatre: Look Back in Anger Tonight at the Loeb Ex”, in Harvard Crimson‎[1], retrieved 25 July 2009:
      But Pope Brock plays him in such a one-note key of gulping and spitting and snickering cynicism that the spectacle becomes numbing.
    • 1992, Jane Creighton, “Bierce, Fuentes, and the Critique of Reading”, in South Central Review, volume 9, number 2, page 66:
      The footnotes that attend Ambrose Bierce in the U.S. literary canon roughly place him as a minor writer of grotesque supernatural tales and trenchant war stories, a misanthrope, curmudgeon, a purveyor of stringing sarcasms, a one-note wit.
    • 2005, Anahid Kassabian, “Academic Frostbite (A Cautionary Tale)”, in Women's Studies Quarterly, volume 33, number 3/4, page 403:
      To his mind, there was only one right and true position on the question. This sort of one-note response is precisely the problem facing politically engaged academics in the U.S. at the moment.
    • 2009 June 18, Mary Pols, “Year One: Jokes from the Stone Age”, in Time‎[2], New York, N.Y.: Time Inc., →ISSN, →OCLC, archived from the original on 15 February 2013:
      The movie is one long snigger. […] It might be one-note, but at least it's in the key of funny.
    • 2011 June 3, Benjamin Mercer, “On ‘Drive Angry,’ the Schlocky Role Nicolas Cage Was Born to Play”, in James Bennet, editor, The Atlantic‎[3], Washington, D.C.: The Atlantic Monthly Group, →ISSN, →OCLC, archived from the original on 19 February 2025:
      Moreover, Drive Angry offers evidence that Cage hasn't recently been one-note in his performances so much as in his choice of schlocky material.
    • 2026 September 15, Stuart Heritage, “No Big Deal review – is this how AI ends humanity … with a sitcom so bad it bores you to death?”, in Katharine Viner, editor, The Guardian‎[4], London: Guardian News & Media, →ISSN, →OCLC, archived from the original on 19 October 2026:
      This is not a funny show. It’s one-note and bawdy, and none of the jokes land. It seems as though, by rushing straight to AI, Dickinson has bypassed the development process that actually makes something good.

Translations

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